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vanishing act & · mailbox · to be surrounded by beautiful, curious, breathing, laughing flesh is enough
#babes  

artvevo:

nights spent wandering around laundromats and dairies for a photography assignment

(via honeysap)

(Source: newamusements, via rawkiss)

#faves  
girlsingreenfields:

Anna de Rijk photographed by Yelena Yemchuk for Lula Autumn—Winter 2011.

girlsingreenfields:

Anna de Rijk photographed by Yelena Yemchuk for Lula Autumn—Winter 2011.

(via cutekittenmeow)

duoyen:

Young Arundhati Roy starring in In Which Annie Gives It Those Ones (1989), a film Roy wrote herself, recounting her own experiences in the School of Planning and Architecture, Delhi.

"It was as a student of architecture that I began to see that in India we have citizens and ‘non-citizens’, those who matter and those who don’t. Those who are visible and those who are not. Those who are included in our planners’ plans and those who are reflexively excluded from them. It was as a student of architecture that I began to ask questions of my mediocre professors about why I was being brainwashed into becoming yet another mediocre manufacturer of concrete boxes who unquestioningly served the interests of the privileged. It was there that I began to try and understand the endless conflict between power and powerlessness – the conflict that is the central preoccupation of much of my work now." [x]

duoyen:

Young Arundhati Roy starring in In Which Annie Gives It Those Ones (1989), a film Roy wrote herself, recounting her own experiences in the School of Planning and Architecture, Delhi.

"It was as a student of architecture that I began to see that in India we have citizens and ‘non-citizens’, those who matter and those who don’t. Those who are visible and those who are not. Those who are included in our planners’ plans and those who are reflexively excluded from them. It was as a student of architecture that I began to ask questions of my mediocre professors about why I was being brainwashed into becoming yet another mediocre manufacturer of concrete boxes who unquestioningly served the interests of the privileged. It was there that I began to try and understand the endless conflict between power and powerlessness – the conflict that is the central preoccupation of much of my work now." [x]

(via hyperheartz)

dastaanewatan:

A rickshaw driver at Clifton Beach, Karachi in 1962.

dastaanewatan:

A rickshaw driver at Clifton Beach, Karachi in 1962.

(via inqalaab)

bienenkiste:

Marius W. Hansen x  Elisabeth Lövgren

(via ductility)


By Matt Chinworth
whererosesbloom:

Thomas Rousset (1984)

whererosesbloom:

Thomas Rousset (1984)

(Source: foammagazine.pr.co, via mvdeleine)


rodarte f/w 2014
rodarte f/w 2014

(Source: gaptoothbitch, via crummymood)

usbport:

I respect bees more than I respect white men in positions of power

(via creepinthecellar)

anamorphosis-and-isolate:

― Submarine (2010)"I made a mistake. What do you want me to say?"

anamorphosis-and-isolate:

― Submarine (2010)
"I made a mistake. What do you want me to say?"

(via jesuisuneamesolitaire)

The Virgin Suicides (1999)
Sofia Coppola

(Source: fohk, via mvdeleine)